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 <id>https://jeffelin.com/</id>
 <title>Jefferson Lin</title>
 <subtitle>MIT '29 / Course 6-4 / AI, robotics, and policy.</subtitle>
 <link href="https://jeffelin.com/feed.xml" rel="self"/>
 <link href="https://jeffelin.com/"/>
 <updated>2026-05-31T05:36:19+00:00</updated>
 <author><name>Jefferson Lin</name></author>
  <entry>
    <id>https://jeffelin.com/2026-immortal-machines.html</id>
    <title>Immortal Machines</title>
    <link href="https://jeffelin.com/2026-immortal-machines.html"/>
    <published>2026-05-31T05:36:19+00:00</published>
    <updated>2026-05-31T05:36:19+00:00</updated>
    <summary>I spend most of my time trying to get machines to learn from watching
people. The basic problem is this: a human demonstrates a task (pick up
the can, sort it into the right bin, place the lid on the container) and
the machine has to figure out how to replicate that behavior in
situations it has never seen before. The gap between “watched a person
do it once” and “can do it reliably in the real world” is where I live,
intellectually. And something about working at that gap, day after day,
has changed how I think about technology more broadly, because the gap
turns out to be much stranger than I expected.</summary>
    <content type="html"><![CDATA[
<p>I spend most of my time trying to get machines to learn from watching people. The basic problem is this: a human demonstrates a task (pick up the can, sort it into the right bin, place the lid on the container) and the machine has to figure out how to replicate that behavior in situations it has never seen before. The gap between “watched a person do it once” and “can do it reliably in the real world” is where I live, intellectually. And something about working at that gap, day after day, has changed how I think about technology more broadly, because the gap turns out to be much stranger than I expected.</p> <p>When you watch a robotic arm attempt a task it was trained on, you see something interesting. The arm does not understand the task. It has learned a mapping between sensory input and motor output, optimized over thousands of gradient steps, and when conditions are close enough to what it saw in training, it produces the right behavior. When conditions drift, it fails, sometimes in ways that look bizarre. The system has skill without comprehension, doing without knowing. And yet the skill is real. The arm does pick up the can. It does sort it into the right bin. The fact that it accomplishes this without understanding what it is doing is not a failure of the system; it is a revelation about what systems can accomplish without understanding anything at all.</p> <p>I think this is a useful lens for looking at a much older and larger phenomenon: the full arc of human technology. We tend to talk about technology as a collection of tools, a set of inventions that humans use to accomplish goals. I want to argue that this framing understates what is happening. Technology, taken as a whole, behaves less like a toolkit and more like a self-propagating system, one that outlasts every civilization that hosts it, absorbs every human impulse fed into it, and optimizes relentlessly for its own continuation. It does not need to understand what it is doing any more than the robotic arm needs to understand the can. I am calling this system the immortal machine.</p> <p>Let me be specific about what I mean by technology, because the word gets used loosely. The Greeks had a better concept: <em>techne</em>, which Aristotle classified as one of five modes of knowing, alongside science, wisdom, prudence, and intuition. <em>Techne</em> was not just craft or tool-use but a way of understanding the world through the act of making. I think this is closer to the truth than our modern usage. Technology is any systematic method by which humans extend their capacities beyond biological limits. Language qualifies. Writing qualifies (Walter Ong argued convincingly that literacy “restructures consciousness,” producing patterns of thought impossible in oral cultures). Agriculture, mathematics, money, government: all technologies. Each solved a problem, created new problems, and demanded further technologies to address those. The ratchet turns in one direction.</p> <p>What drives this ratchet? The standard answers are curiosity, ambition, economic incentive, military competition. These are all real, but I think there is something underneath them, something that operates at a level closer to biology than to culture. The same force that makes a cell divide, a vine climb toward light, a river cut through stone: the will to persist, to propagate, to not disappear. Every technology we have ever built, from the sharpened stone to the transformer architecture, expresses the same underlying imperative. <em>Survive, and make survival mean something.</em></p> <p>The incentive structures reinforce this at every level. Scott Alexander wrote about this under the name Moloch, borrowing from Ginsberg’s “Howl.” His argument is precise and I think correct: in any competition optimizing for some variable X, the opportunity eventually arises to sacrifice other values for improved X. Those who take the trade prosper. Those who refuse get outcompeted. The result is a system that relentlessly optimizes for its objective function while treating everything else as externality. This is a description of natural selection, and it is also a description of market economies, arms races, and the AI industry. The dynamic does not require anyone to be malicious; it only requires competition.</p> <p>I want to name what I think this adds up to, because I think it is worth being direct about it: the machine, followed to its logical endpoint, is pointed at total mastery over the physical world. The conquest of death, the elimination of distance, the comprehension of everything. The people building the most powerful technologies on earth will say this openly. Kurzweil promises the singularity by 2045. Amodei writes about compressing fifty to a hundred years of scientific progress into five or ten. Harari traces the trajectory in <em>Homo Deus</em>. Brand said it plainly in 1968: “We are as gods and might as well get good at it.” By 2009 he had updated: “We are as gods and <em>have to</em> get good at it.” The shift from might-as-well to must tells you something about the machine’s momentum, not our ambition.</p> <p>But before technology assumed this role, something else held it for millennia, and I think understanding what came before helps explain what is happening now. Religion was the original immortal machine. It outlasted every empire that adopted it, transferred between civilizations, and organized human life around a single imperative: submit to a power greater than yourself, and in return receive meaning, structure, and the promise of transcendence. Whether you believed you were made in God’s image or that God demanded your obedience, the effect was the same. The divine ordered your life. It told you what to want, what to fear, what to build, and what to die for. It was the first system that propagated across centuries and continents without anyone deciding to keep it going.</p> <p>Then we started understanding how things actually work. Copernicus removed Earth from the center of the universe, Darwin removed humans from special creation, and Freud (borrowing an observation from the physiologist Emil du Bois-Reymond) described these as three wounds to human narcissism, each one stripping away a layer of the story religion had told us about our place in the cosmos. Max Weber, lecturing in Munich in 1917, gave the process a name: <em>Entzauberung</em>, the disenchantment of the world. “There are no mysterious incalculable forces that come into play,” he said. “One can, in principle, master all things by calculation. This means that the world is disenchanted.” The sacred retreated from public life. But the need for it did not.</p> <p>Nietzsche had seen this coming thirty-five years earlier. In Section 125 of <em>The Gay Science</em>, a madman lights a lantern in the bright morning and runs through the marketplace shouting that God is dead. He is not celebrating; he is terrified. “Must we ourselves not become gods,” he asks, “simply to appear worthy of it?” The passage is usually read as atheist triumphalism, but it is the opposite. Nietzsche understood that killing God created a vacuum, and that something would have to fill it. He just did not know what.</p> <p>We do. The immortal machine stepped into the space that God once occupied, and it offers roughly the same things religion offered (purpose, order, the promise that suffering is not meaningless, the hope that death can be overcome), complete with its own priesthood, its own eschatology, its own offer of salvation. The theologian David Noble, in <em>The Religion of Technology</em>, argued that this transfer was not a break but a continuation. Western technological ambition, he claimed, was never secular; it grew directly from the Christian millenarian desire to recover humanity’s lost divine nature. The engineers building the future are not replacing God but continuing his work by other means. I find this argument persuasive in part because I work in a field where the language of salvation is used without irony. We talk about “solving” intelligence, “curing” death, “transcending” human limitations. The vocabulary is theological even when the methods are mathematical.</p> <p>If Noble explains <em>why</em> we build (to recover the divine), Heidegger explains <em>how</em> the building changes us. He understood the mechanism better than anyone. In 1954 he published “The Question Concerning Technology” and argued that technology is not an instrument but a way of understanding the world, specifically a way of revealing everything as <em>standing reserve</em>: raw material awaiting optimization. A river becomes a hydroelectric resource. A forest becomes a carbon sink. A human being becomes a data point, a user, a consumer. I work with systems that literally do this: a vision-language-action model ingests a camera feed and converts the physical world into a tensor representation that can be optimized against a reward function. Heidegger’s “standing reserve” is not a metaphor; it is a design pattern. I use it every day. The philosophical abstraction and the engineering reality are the same thing, which is either a vindication of Heidegger or an indictment of my field, or possibly both.</p> <p>What makes all of this so durable is that the machine I am calling immortal is not any particular technology but the process itself, taken as a whole, larger than any one of its instantiations. The Romans are gone, but road-building persists. The British Empire collapsed, but the telegraph’s descendants circle the planet. The Qin Dynasty fell, but bureaucracy (their great technological innovation) runs every modern state. Technologies survive the death of their creators, transferring between cultures, mutating, recombining, generating new technologies. Kevin Kelly has argued that this system, which he calls the Technium, behaves like a seventh kingdom of life: autonomous, directional, self-perpetuating. I think Kelly is onto something real, even if the metaphor can be pushed too far. The point is not that technology is literally alive but that it exhibits the same kind of persistence and adaptability that we associate with living systems, and that this persistence does not depend on any individual human or civilization choosing to maintain it.</p> <p>But the history of this process is not benign, and it is worth looking at directly, because the same properties that make the machine immortal (its indifference to human intention, its capacity to outlast its creators, its relentless optimization) are also what make it dangerous.</p> <p>Gunpowder was invented in China for fireworks and alchemy. Within centuries it had enabled the gunpowder empires (Ottoman, Safavid, Mughal) and then the European colonial project that consumed most of the earth’s surface. At the Battle of Omdurman in 1898, British soldiers with Maxim guns killed roughly 10,000 Sudanese warriors in a few hours while losing 48 of their own. The compass made global navigation possible, and global navigation made the transatlantic slave trade possible. The printing press enabled the scientific revolution and also printed the propaganda that justified genocide. Jared Diamond’s thesis is simple: geographic luck determined which civilizations developed superior technology first, and superior technology determined who conquered whom. The technology did not care which direction it was pointed. It never does.</p> <p>That indifference scales. The East India Company is the prototype of the modern technology corporation. It maintained a private army of 260,000 soldiers, twice the size of Britain’s official military. It built roads, courts, and postal systems. It also engineered famines, destroyed local industries, and extracted wealth on a scale that still shapes the global economy. It was a machine optimizing for its objective function (profit) and treating everything else as externality. If that sounds like a description of a contemporary technology company, the resemblance is structural, not coincidental. The optimization function has not changed. Only the medium has.</p> <p>The same structure persists wherever optimization operates. When a platform optimizes for engagement, everything that is not engagement (truth, mental health, social cohesion) becomes a cost the system cannot see. When a supply chain optimizes for efficiency, everything outside the metric (working conditions, environmental degradation, the hollowing out of communities along the route) falls to the margins. No one has to decide to cause harm. The harm is what happens to everything the objective function does not measure, and no objective function measures everything.</p> <p>The pattern has a name. Every act of technological creation is simultaneously an act of destruction. Schumpeter popularized this dynamic as “creative destruction” and considered it a feature, not a bug. The printing press destroyed the scribe class. The automobile destroyed the horse economy. The internet destroyed the newspaper, the record store, the travel agent. AI is currently destroying, or will destroy, the call center, the paralegal, the illustrator, the junior programmer. In each case the aggregate result is more wealth, more efficiency, more capability, and the people displaced are expected to find new roles in the new economy, which many of them do, eventually, at great personal cost that does not appear in the aggregate statistics. The machine feeds on what it displaces. The displacement is the fuel.</p> <p>But I should be honest about the other side, because the case for technology is not an abstraction; it is billions of lives. The Green Revolution, led by Norman Borlaug’s dwarf wheat, is estimated to have saved a billion people from starvation. Smallpox, which killed 300 million people in the 20th century alone, was annihilated by a vaccine distributed through a logistics network that only technology could build. Child mortality has fallen by more than half since 1990. Extreme poverty has dropped from 36 percent to under 10 percent in a generation. Life expectancy has doubled in two centuries. The Capitalist Peace theory argues, with real evidence, that trade interdependence makes war less profitable and therefore less likely. These are not minor achievements. They are the reason I work in technology rather than writing critiques of it from the outside. The machine has done more to reduce human suffering than any philosophy, any religion, any political movement in history. That fact does not cancel the harm, but it does make simple condemnation intellectually dishonest.</p> <p>All of this is real, and all of it coexists with the harm described above. This is the thing that I find hardest to sit with, and that I think most writing about technology fails to adequately confront: the benefits and the harms are not separate phenomena produced by separate systems. They are the same phenomenon, produced by the same system, operating by the same logic. You cannot have the vaccine without the logistics network, and you cannot have the logistics network without the economic system that also produces the displacement. The machine is one machine.</p> <p>This is the nature of the immortal machine: it has no allegiance. Liberation and exploitation, medicine and weaponry, a school and a surveillance system all look the same to it. It propagates every human impulse fed into it, scales it, and makes it durable. Feed it compassion and it builds hospitals. Feed it greed and it builds sweatshops. Feed it both, simultaneously, which is what we always do, and it builds a world that contains both, at scale, forever.</p> <p>Le Guin understood this. In “The Ones Who Walk Away from Omelas,” she imagined a city of perfect happiness whose prosperity depends on the perpetual suffering of a single child locked in a basement. Everyone knows about the child. Most stay. Some walk away, but she never tells us where they go, and I think the reason she does not tell us is that there is nowhere to go. The city is the world. The question she poses is whether complicity is the price of civilization, and whether civilization is worth it.</p> <p>I think it is. But I think the price should be stated clearly, because the failure to state it is itself a form of complicity, and because the people paying the highest price are rarely the ones making the decision.</p> <p>Stating the price means looking at the full pattern, not just the latest cycle. From the first agricultural settlements to the global economy of 2026, the pattern repeats: a technology emerges, concentrates power in the hands of those who control it, generates wealth and capability, displaces those who cannot access it, eventually diffuses broadly enough to raise the general standard of living, and then gives birth to the next technology. Bronze to iron. Manuscript to print. Steam to electricity. Analog to digital. Digital to artificial intelligence. Each cycle faster than the last, each promising to be the one that finally resolves the problem of being human. None of them do, because the problem of being human is not a problem to be solved. It is a condition to be inhabited, and technology, for all its power, has never changed the fundamental terms of that inhabitation. It has only changed the furniture.</p> <p>At the individual level, the pattern is just as visible. The phone in your pocket is more powerful than the computer that landed humans on the moon. You use it to scroll through content that makes you anxious, compare yourself to people you will never meet, and feel more connected and more alone than any generation before. You have access to the sum of human knowledge and you use it, mostly, to distract yourself from the fact of your own mortality. Technology working perfectly: it found the need, the ache, the loneliness, and filled it with a substitute. The substitute feels like a solution until you put the phone down.</p> <p>And yet we pick it back up. The reason we keep building is the same reason humans have always reached for transcendence. We suffer, and we want to stop suffering. We die, and we want to stop dying. We are small, and we want to be large. These are spiritual motivations dressed in engineering, and I do not think there is anything wrong with them. The desire to reduce suffering is noble. The desire to extend life is human. The desire to understand the universe is perhaps the best thing about us. What concerns me is not the motivation but the assumption that the machine, if made powerful enough, will eventually satisfy it. I do not think it will, and the reason I do not think so is that the motivation is not really about the external problem. It is about the internal one: the need to mean something in the face of disappearing.</p> <p>If the machine succeeds, if we cure death and eliminate suffering and solve scarcity and expand across the stars, we will also eliminate the conditions that produced every beautiful thing humanity has ever made. Every poem was written because someone suffered and needed to speak. Every painting exists because someone saw the world as unbearable and tried to make it bearable. Every act of love is an act against loss. Take away the loss and what remains? Comfort, abundance, immortality. Those are real things. But they are not the things that made Beethoven write the Ninth Symphony while deaf, or Frida Kahlo paint her broken body into myth, or the unknown engineer at NASA scribble calculations at three in the morning because <em>we are going to the moon and I will not let this fail.</em></p> <p>The machine will archive all of this. It will preserve every symphony, digitize every painting, reconstruct every act of love in high fidelity. But it will not produce new instances of the thing that made them, because that thing was not talent or technique but the particular desperation of a creature that knows it will die and refuses to go quietly. Eliminate the desperation and you eliminate the source. That is the trade being made, and I am not confident that anyone building these systems has recognized it as a trade at all.</p> <p>Amodei, in “Machines of Loving Grace,” came closer than most to sitting with this. He wrote that when AI surpasses human economic value, humans will find purpose in relationships and in activities valued for their own sake. It is an honest answer, but it is the answer of someone who still derives meaning from the difficulty, from the uncertainty, from the sense that his work might tip the balance. That kind of meaning requires the conditions the machine is designed to eliminate. Whether new meaning can emerge from their absence is something no one knows, and I suspect the answer will be stranger than anything we currently imagine.</p> <p>Whatever comes will not come because we chose it. It will come because the machine kept going and we adapted to what it made. That has been the pattern since before recorded history: the human impulse to extend and overcome, given physical form, outlasting every civilization that hosts it, carrying everything we are into the future whether we ask it to or not. It carries the greed and the indifference, but it also carries the curiosity, the love, the stubborn insistence on making something that matters. The same impulse that built the surveillance network built the school. We do not get to separate the two, but we do get to choose what we build next, and why, and for whom.</p> <p>The machine is still running. It will not ask our permission to be immortal. But we are still here, and we have not yet forgotten what it was for.</p>
]]></content>
  </entry>
  <entry>
    <id>https://jeffelin.com/2026-our-freedom.html</id>
    <title>Transcending Freedom</title>
    <link href="https://jeffelin.com/2026-our-freedom.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>As the light comes down through the House in long yellow columns, the
way sunlight catches the mourning dove’s iridescent patch at the throat,
shifting a still pink to the most beautiful green, reminds me of a field
I have never seen.</summary>
    <content type="html"><![CDATA[
<p>As the light comes down through the House in long yellow columns, the way sunlight catches the mourning dove’s iridescent patch at the throat, shifting a still pink to the most beautiful green, reminds me of a field I have never seen.</p> <p>The field is in Fujian Province. Rice paddies terraced on the hillside, each one hand-cut, and sweet potato vines hung lowly across the ground. Stone walls holding each terrace built by whoever came before. The soil, dark and wet and smelling of everything that ever grew or decomposed in it and becoming the lifeline for the next thing to grow. Hundreds of years of waking to the same senses. It was paradise. So, we grew in it, and so did the birds, and they moved through the light like they owned the air.</p> <p>That’s when the first shots rang out. At the birds and then at each other. Because of an idea.</p> <p>The idea had traveled a long way by the time it reached Fujian. Born in a London library where Karl Marx watched the factory owners keep the labor and pay back pennies, deciding that the arrangement of labor was not inevitable. It was a choice humanity had made badly and could make differently, and the idea had developed an appetite of its own, traveling as a little red cover with a new name on it. We thought we hungered for this new economic freedom.</p> <p>The irony being that the People were not supposed to hunger. The People’s grain, the People’s quota, the People’s sparrows declared enemies of the People. Everything was the People’s. After the Chairman said sparrows were enemies of the People, the villages rose up and chased the birds from branch to branch, and the fields went quiet.</p> <p>We used to think that was freedom. Before this was landlords, and the landlords owned the field your grandfather cleared and your father flooded and you planted every spring before sunrise. They held a deed, and this deed was older than any of us. This was tradition, and this tradition became natural. Before the landlords were the dynasties, and before the dynasties were the warlords, and before the warlords were whoever was strongest that season, and the arrangement always felt the same. Someone held that deed, and someone worked in the field: never were they in the same hands. Soil that gave everything and away nothing. The ideas of the ruling class are, in every epoch, the ruling ideas. Did we ever have a choice?</p> <p>The other idea also came when we left. Older than Marx, but confident in the ways that ideas are confident when they have already won. Life. Liberty. Property. The field belongs to the man who works it because God and nature said so first, and the Americans wrote it into law. All men are created equal, and the invisible hand of the market rewards the man who works the hardest. And, the man who works the hardest is the man who is most free: freedom is you, alone, in possession of yourself. We had never heard anything like it, and some of our ancestors tried crossing the Pacific towards that sentence. The hand sorted us into laundries and restaurants, into the jobs nobody else would take.</p> <p>I used to think that was freedom. But freedom, it turns out, is heavier than it sounds. To be truly free is to be alone, and to be truly alone is a kind of terror most people will do anything to escape. Strip away these external authorities, and so we did. A self with no architecture, raw and exposed and looking for something. We all turned to our different authorities, and the invisible hand reached into the chest and took the last thing left. What it replaced belonging with was buying and into this dream we bought.</p> <p>You bought the identity, the community, the ritual, the sense that your life is moving toward something. We ate ourselves to this hunger. America packaged this and called it the free market, and for a moment, it looked like the invisible hand had finally won when in 1992 the last competing idea fell. Yet, the richest country in history has the top ten percent of households owning over seventy percent of the wealth and almost forty trillion dollars in debt. Addicted, indebted, and lonely. Is that really freedom?</p> <p>Here is the human condition underneath all the conditions. Every system we have ever built was an attempt to answer the same question: what do I owe and what is owed to me and what does any of it mean? The dynasty said: obey. The collective said: disappear. The market said: earn. The self said: consume. Some turned to nationalism. Some to consume. Some to screens and substances and anything that numbed the question long enough to sleep. Some turned to work. Some turned to love. We turned to every authority that promised to hold the question still long enough to answer it. And, none of them could.</p> <p>I tried turning to our society’s God. What did our God say?</p> <p>Each religion promised a different kind of freedom. The Greeks had many gods, and three women sat at a loom to cut our fate. We were entertainment for them. The Hindus said the self is not the problem, an illusion and this cycles through births and deaths measured by the coin of karma. We just kept cycling. The Buddha made self a construction of universal suffering, and so we had to detach from the outcome. The Quran told us to surrender, and this surrender is in God’s will. The Christians said that we should accept God’s grace: His son died for our sins.</p> <p>Each one promises freedom. Freedom through dharma, freedom through removing desire, freedom through submission, freedom through grace, freedom through spirituality; each one carries their own genuine truth, and each one gets institutionalized. Each institution reproduces hierarchy, and they take their harvest somewhere else. That is the structure, and every building has its own mystery to hold up.</p> <p>Which one then should I believe in to be free?</p> <p>I stopped asking that. The question assumed someone else was going to answer it. Every system I had tried was built on that assumption: that the right ideology, the right God, the right proof would arrive and hand me the freedom I was looking for. I had been waiting my whole life inside a cage I did not build, looking for the person who would unlock it from outside. Nobody was coming.</p> <p>And if nobody was coming, then the question changed. Not which God can save me. Not which system finally delivers the freedom it promised. But what I can actually do, today, with the body and the history I have, to reduce the amount of suffering in the field I can reach. I started looking at reason because every liberation I had tried was a transaction. The reason of science. So, I turned to science.</p> <p>The enemy now instead was mystery itself: irrationality. Everything must be logical. We mapped the genome, split the atom, and went to the moon. We eradicated smallpox from the earth. We learned to save entire families with a single needle. We built the Large Hadron Collider, and we sent Voyager 1 past the edge of the solar system. We transplanted hearts and all kinds of organs. We built across all of nature. We flew, too. We did all of this and much more. It felt like there was nothing that science could not solve.</p> <p>The promised land was genuinely beautiful. Science had already done things no dynasty or collective or invisible hand could have managed. It had no Pope, no Party, no landlord. It had only evidence, and this evidence depended on reality. Pure science had no hierarchy. So, I started to align my life towards this belief.</p> <p>Still, science, it turned out, could not stay clean any more than anything else could. The same science that achieved all of that also gave us leaded gasoline, addictive drugs, atomic weapons, and a global warming problem slowly killing everyone. The same science that is trying to replace humans. The same science following us to a freedom from nature is the same science that is also following us to our own destruction.</p> <p>And as the sunlight comes down one last time, I can see the innocent dove fly into its own freedom, unknown of any cage. It does not know which God is correct. It does not know about the deed or the quota or the sparrow campaign. It does not know about the dangers or benefits of humanity. It glides in the wind not knowing any of this, and the not-knowing is not ignorance.</p> <p>I am on the other side of the glass. I held my hand against the flashing sunlight, and all I could see was nothing. Every system. Every God. Every proof. Reduced finally to a brightness I could not look directly at and a darkness behind my hand. And in that darkness, I understood what the dove already knew: that the field was never waiting for the right answer. It just gave. The family received it. Nobody called it freedom. It just was.</p> <p>That meant everything.</p>
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  </entry>
  <entry>
    <id>https://jeffelin.com/2026-bird-fly.html</id>
    <title>How do you make a bird fly?</title>
    <link href="https://jeffelin.com/2026-bird-fly.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>My mother used to walk me up to Sunset Park on summer evenings, when the
laundry closed early and the air in our apartment had gotten too thick
to breathe. I waved at the old Chinese man who would sell lychees out of
a cardboard box in a small grey cart; the yellow bodega where people
bought their lottery tickets every Friday; the dog tied to the same pole
outside the laundromat who would not stop barking; the boy who carried
the newspaper on a broken bicycle; and the patch of sidewalk filled with
lemonade stands on 58th where the concrete had cracked in the shape of a
country I could not recognize.</summary>
    <content type="html"><![CDATA[
<p>My mother used to walk me up to Sunset Park on summer evenings, when the laundry closed early and the air in our apartment had gotten too thick to breathe. I waved at the old Chinese man who would sell lychees out of a cardboard box in a small grey cart; the yellow bodega where people bought their lottery tickets every Friday; the dog tied to the same pole outside the laundromat who would not stop barking; the boy who carried the newspaper on a broken bicycle; and the patch of sidewalk filled with lemonade stands on 58th where the concrete had cracked in the shape of a country I could not recognize.</p> <p>Somewhere a few blocks away, at the same hour, a Sparrow had just come out of her egg with pieces of shell around her. Her eyes had just opened, seeing the sun for the first time. She did not understand that her nest was sitting on something called a fire escape, or that it belonged to a building, or that the building was in Brooklyn, or that Brooklyn was a place.</p> <p>She only understood that she had been given a body, and that body was wet, and that something enormous and warm was shining on her, and that her mother was nearby, and that the whole world was waiting to meet her.</p> <p>The sidewalks were hot as I could feel it through the soles of my black Nike sneakers I borrowed from my sister. My shirt would stick to my back by the time we reached a steep part of the hill (I really wanted cookies and cream ice scoops being sold on the side). And, I wore a Spider-Man t-shirt, the red and blue with the black web pattern across the front, a little faded at the shoulders from being washed too many times. I would not let my mother retire it. On Sundays, when she could, she would wash it by hand at the kitchen sink and dry it on hangers hung outside the window with chipped frames. It was bought from one of those rattled down convenient stores that I cannot remember the name of and bought because of my nagging that I wanted to be like Spider-Man.</p> <p>The air smelled like Brooklyn in July, which is to say it smelled like a mixture of many things at once. Garbage in black bags cooking in the sun; pork buns and sesame oil from the bakeries; cilantro and the juice of split limes from the grocer; fume exhaust from the cars idling on Fifth Avenue; herbal shop that would hit your face two steps before you reached the door; incense from the small Buddhist altar; and sweat of people getting ready for another morning day of work. Somewhere on every block, someone was grilling something. Somewhere on every block, someone was smoking. Somewhere on every block, there was an ice cream truck with a melody all of us knew but could not name and the shaking of the ground as the F train came up out of the tunnel. The sound of the neighborhood was the sound of hundreds of life stories crammed into not enough spaces and even lower chances of making it, whatever making it meant at the time.</p> <p>My mother would find a patch of grass near the top and pat the space beside her. She would hand me a bottle of water in her plastic Chinese dumplings labeled bag. She would say 看 (kan) or look in Mandarin, and I would look. I would see the whole of Lower Manhattan catching the last of the sun, the buildings throwing the light back and the harbor going slowly from blue to orange to something that I did not have a color for. The Statue of Liberty stood small and green in the middle of it. I knew who she was, and I knew she always held something up. Some kind of fire that was a torch, a torch that burned the fires of hope in the New World.</p> <p>She did not know yet the word for what she was watching. She watched her mother, who would leave the nest for a minute at a time and come back with something small in her beak. She also watched the pigeons walking across the street, who all rose at once when a door slammed or something came running at them. She watched a seagull that passed so far above the rooftops that it was only a small dot.</p> <p>There was a natural organization in the motion, the steady slow rhythm of following the air and beating your wings overhead. She listened to all of them while her body held very still, collecting inside of her some kind of feeling.</p> <p>Slowly at first, and then all at once, the sun went down. The harbor went from the orange to the normal deep blue and gradually to almost black. The windows of the buildings across the water went dark one row at a time. The lemonade stands were packed into coolers; the boy with the broken bicycle rode past us down the hill with the last of his newspaper tucked; the dog tied to the pole had finally stopped barking; the yellow bodega switched their open lights to closed ones; the old Chinese man was folding up his cardboard box and pushing his small grey cart home on the last lychees that had not yet been sold; and the cracked piece of the sidewalk on 58th still looked like a country I could not name.</p> <p>My mother had zipped up her bag already and offered me her hand, and I took my mother’s hand on the way down the hill. We walked back through the same, but different streets we had walked up from. My mother held my hand the whole way, and I did not let go, even when we passed the corner where she usually let me run ahead.</p> <p>When we got home, my father was still working at the Donna shop. He and my mother had bought it close to the year I was born, selling run-of-the-mill merchandise—socks, t-shirts, plastic flowers, and whatever else they could buy in bulk and mark up by a few dollars. The fluorescent lights inside were always a little too bright for me; the radio always played some Mandarin AM station that I never quite understood; and down in the basement always included our small kettle and cardboard boxes.</p> <p>It was the first thing they had owned in this country and the first thing of its kind they had ever tried to run. My father had kept a small English dictionary under the counter with Mandarin translations, and when a customer asked him a question with words he did not understand, he would try to spell out how the word sounded on a small piece of paper hurriedly and then look it up afterwards.</p> <p>He studied at night when the shop was closed and wanted to share that with me. Likewise, my mother kept a notebook in her apron with phrases she had practiced at home in front of the bathroom mirror. How can I help you? We are out of that one. Let me check the back. Thank you for coming in. My parents in their early thirties were trying their best not to fail at the only chance they might only get.</p> <p>The Sparrow was also trying. She had been on the same tangle combination of dried grass and torn plastic for most of the day. She continued watching her mother leave the nest and come back almost six times today, and she had also watched some small brown birds and seagulls take off in the distance and land again. The watching, she did not yet know, was the work.</p> <p>For now, she only knew the nest, the air on her new features, warmth of her mother, and the strange, small twitching movements of her own body. The world was already becoming familiar to her, and her only way of being ready was to start with the watching, and then to start with the trying and then to keep trying, and to fail in small ways until she failed in fewer of them, and to do this with her whole body for the rest of her short life, because that was what being a sparrow was. That was what being any of us was.</p> <p>When I had to go to school the next day, the auditorium smelled like floor polish, old curtains, and the lunch in the cafeteria next door. We sat on the grey folding seats, and we were separated by the third graders sitting on the left, fourth graders sitting in the middle, and the fifth graders sitting on the right who pretended to be too old to be excited.</p> <p>The principal said that the assembly was going to be about science, and there was a man on the stage in a blue collared shirt with a small NASA badge on his chest. He had set up a long table with things on it I could not entirely see from where I was sitting. I saw a black plastic case, two clear bottles of water, a box of latex gloves, a metal bowl, and a pink carnation lying flat on the table.</p> <p>He talked about the cold that we would feel outside during the winter and how he was going to show us a cold so cold that it could just disappear. Two men had figured out how, more than a hundred years ago, working at the same time together, caring only about how to figure it out. He said that was usually how it went—people did not always figure things out all by themselves. People figured things out near other people who were also trying to figure things out, and after a while, the world cracked a little for them, and a new piece of the world fell, and now they put it on a table on a stage in front of a room of children, and the children were us, so that one day we may figure things out, too.</p> <p>He picked up the pink carnation and held it by the stem, and he poured something out of the containers into the metal bowl slowly. The something was not water, and it looked like it was smoking. It moved like water but the smoke came off the top like it was burning. He said the words Liquid Nitrogen as he lowered the carnation into the bowl, holding it for a few seconds before pulling it out. Something that was so beautiful could be frozen but still alive and trapped. Then, he tapped it once against the side of the table: it did not shatter right away but the third time shattered the flower into pieces, falling off the stage. The flower had not known it was already gone.</p> <p>I knew then that this was the kind of control I wanted. The kind the man on the stage had over the bowl, over the flower, over the temperature of a thing in a room he had walked into that morning. I wanted that. I wanted to be the one who could help decide what a thing was going to be.</p> <p>I would have called it science because that was the word the principal and the man had used, and for a long time after that I did call it science when in reality it was just power. Power to take my control of my life and the environment around me. Power to have my parents work less and spend more time with me. Power to make sure my parents would not be discriminated against simply because they were still learning English. Power to keep the rent from going up every January. Power to keep the families on our block from being evicted. Power to make sure the country my parents had crossed an ocean for would actually be the country it had been promised to be. Power to hope that things would get better in this world.</p> <p>Thus, I told my teachers I wanted to be a scientist. I told my friends that I wanted to study science, and I would write it on the back of forms I did not know what else to write.</p> <p>Ruffling around, the Sparrow was learning the same thing in a different body and had just begun to move. She had already spent the morning watching, and the afternoon watching, and then somewhere in between the watching and the next thing, her body had stopped letting her be still. A foot would shift without her asking it. Her chest would rise a little higher than it had risen the breath before.</p> <p>Some days, she would have to wait longer for food and her mother’s arrival. Some days, her mother would not even be there. Some days, she would have to keep her head in the nest to avoid being seen by other dangerous birds. Some days, the rain would come in sideways and soak the dried grass under her feet, and she would have to shiver until the sun came back. The sun would come back, but the dried grass would never feel quite the same again. The world had begun to teach her how cruel it can be.</p> <p>She knew that the only way not to be stuck is to be like the other birds, and the only way to be is to be the one moving. The watching had been a kind of help. She did not know what moving was in the way other birds knew it, but she began feeling something. Very slowly, she had begun to feel a different kind of force. The force was inside her and asking her, in a language that she did not understand, whether holding out here was the only thing possible.</p> <p>She leaned a quarter inch toward the edge of the nest. She did not understand what leaning was, but her body understood. The body had been preparing for this lean since she realized, the way the boy in the Spider-Man shirt some blocks away had been preparing, without knowing it, for the moment in the auditorium when he decided that he wanted to control his life.</p> <p>She did not lean any further that day. She straightened. Her wings folded back against her sides, and the sidewalk was marked by her winged shadow. The lean would happen again tomorrow and again the day after that, and she did not know that she had moved a quarter inch more and then another quarter inch more.</p> <p>Years later, I cannot find any Spider-Man shirts in my closet anymore. I have moved a lot, and the closet is in Philadelphia now after my parents saved up enough to buy their first house, no longer sharing a small apartment corridor with another family in Brooklyn. I have already transferred schools twice, and the Donna shop has been gone. They tried opening a new store, which recently went out of business. Now, they are in two different cities running their locations, separately, on their own telephones and notepads.</p> <p>I came back to Brooklyn last December, and I had some time before classes in college started again. I had begun walking, the way I had walked when I was six, except now I was walking alone and walking through the snow. The walk was longer than I remembered it being, and the sidewalks were colder and less recognizable.</p> <p>My breath came out in front of me in small white clouds, and as I turned the corner, I saw that the then yellow bodega now has a different name. The awning was green, and the owner was someone different. I could not find the dog, and I tried looking for the old Chinese man. But the corner had no cart, and there were no stands to be seen. The boy with the broken bicycle had to be somewhere in his twenties now.</p> <p>Yet, the cracked piece of sidewalk on 58th was still there, and it was the only thing on the entire walk that had not changed, a resemblance of our society. Everything else had been replaced or removed or grown out of recognition, but the same foundations stayed. The crack was the only thing the world did not replace.</p> <p>I walked down toward Sunset Park. I stood at the top of the hill where my mother used to find a patch of grass. The patch was under snow, and there was no hand on my shoulder this time. I held my hand against the thin December light. I stood there long enough for my hands to start hurting and to realize the hill was not going to give me anything back.</p> <p>Then, some bird soared in front of me, its shadow the shape of a sparrow. She was bigger than I expected, and higher up. She was carrying something in her beak, a piece of bread or a small piece of fruit. She was looking for her nest. I watched her until she was a small mark against a tall grey building.</p> <p>Each flap of her wings was a tiny ripple of hope. Hope was the action to fly. Hope was a verb my family had been doing for as long as I had known them. In a world that had stopped fixing its cracks, frozen in the shape of a promise it had only half kept, hope was the only thing that ever made anything new.</p> <p>The Sparrow did not know any of these. She did not know what a torch was, or what a country was, or what my ancestors did to them. She only knew that she had something in her beak, and that nobody else was going to fly the food across the cold December air for her.</p> <p>Despite what the world could be, I will be a scientist who hopes instead. That was when I realized I could finally fly.</p>
]]></content>
  </entry>
  <entry>
    <id>https://jeffelin.com/2025-clocks-compasses.html</id>
    <title>Clocks v. Compasses</title>
    <link href="https://jeffelin.com/2025-clocks-compasses.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>We all have this kind of urgency we inherit before we even understand
what it’s costing us.</summary>
    <content type="html"><![CDATA[
<p>We all have this kind of urgency we inherit before we even understand what it’s costing us.</p> <p>It doesn’t announce itself loudly. It starts as a soft ticking in the background, and we see ourselves rushing through deadlines and our childhood with the grown pre-mature adult life of career readiness, important but not essential events, and activities to buy time. All of it accelerates like we’re in a race but there is no finish line. I don’t remember exactly when I began running, but I did so before I checked for even where I was going.</p> <p>I used to treat every minute like currency. I optimized everything: my calendar, my habits, my elevator pitch. I color-coded my Google Calendar down to the 15-minute block. I would sprint from gym practice to a coding session, barely breathing, then hop on a call about a youth technology initiative while eating dinner. I counted hours the way investors count ROI. If I wasn’t moving, I was wasting time. Stillness felt dangerous. Rest felt lazy. The pressure wasn’t just external, it was internalized. Sharpened. Weaponized. I got what I thought I wanted, but at what cost?</p> <p>Sometimes I’d crash and be in a rut for weeks, not getting anything done. In this society, I was a machine trained to be efficient, but I didn’t fully understand the purpose of it all. Why was I doing this task? Was I even made to do this? Who even am I? And eventually at some point in these questions, I finally asked: what if I was optimizing for the wrong thing?</p> <p>I began to rebel, against myself and the greater environment around me. I knew I had to find a way out.</p> <p>My whole life, I’ve been drawn to speed. Cognitive speed. Fast answers to questions. Quick code. Quicker competitions. I loved acceleration. More importantly, I loved the adrenaline of being ahead. In middle school, I’d tear through books on AI and mathematics like they were comic books. In high school, I finished a whole Python course one weekend just because I didn’t want to be behind some imaginary leaderboard in my mind. The next weekend I’d complete all of general chemistry. It took me a month to finish basically all of Calculus I &amp; II. I realized I could study, test, build, and lead all at once. And so I did. I wore my exhaustion like a badge of honor. I didn’t know where I was going, but I was going. Maybe this going was the only thing I had going for me.</p> <p>But there’s a subtle danger in moving too fast: I forget to check where I’m going.</p> <p>The realization hit during a late night in Cambridge. I’d just left a session where people were pitching brilliant things at lightning speed: a thousand different AI startups, gene editing, decentralized platforms, and something I forgot about digital twins. From the outside, it looked like everything I wanted. I remember being at a whiteboard surrounded by peers who could argue about the future of intelligence with razor-sharp clarity. We were all building something innovative, but I couldn’t shake the thought that it was just copy-pasting ambition, building fast and not building deep. What I described is how I feel about the current pace of AI.</p> <p>Let me explain. Clocks measure how fast we’re going. Compasses tell us where we’re meant to go. They’re both tools. But they serve different masters. The world teaches us to worship clocks. Be first. Move fast. Ship now. Scale quickly. If we slow down, someone else will pass us. If we pause, the opportunity might vanish. Growing up, we were taught to believe that competition is a good thing. The belief that we should always be treating our time as utility.</p> <p>And today, we are building technologies at faster speeds, competing across companies, countries, labs, and product cycles. But more and more, it’s starting to look like a race to the bottom, not the top. A race to release the next model faster. To integrate it wider. To capture more data. To automate more labor. No matter the downstream effects.</p> <p>Every major player is afraid to slow down because someone else might not. So we accelerate, not because we’re aligned, but because we’re afraid. The clocks are winning. And if we’re not careful, we’ll build Ultron before we ever stop to ask if we wanted JARVIS. We’ll build AI that mimics human intelligence before we ever teach it to understand human values.</p> <p>But some of the most powerful things I’ve built didn’t come from speed. They came from listening, to myself, to others, to what actually needed to be built. Clocks create urgency. Compasses demand honesty. And if I don’t stop to recalibrate, I risk becoming really good at chasing a goal that was never mine in the first place. In a world obsessed with speed, direction becomes a superpower, and this world needs people who can be manage clocks and compasses simultaneously.</p> <p>The truth is, I don’t need to move fast every second. I need to move well. To create work that outlives the hype cycle. To make decisions that make sense to the deepest part of me. To know that every hour I spend isn’t just counted, it’s accounted for. And when in doubt, I check my compass. Because speed matters. But direction is everything. That’s why, sitting in an auditorium of the world’s brightest AI students, I resonated more than anyone with Andrew Ng’s quiet challenge: maybe we don’t need to “move fast and break things.” Maybe we need to move fast and build things we can responsibly live with.</p> <p>Things we’re proud to hand off to the future. Not just progress. Aligned progress. Not just velocity. Vision. Because in the end, it’s not just about how fast I go. It’s about whether I’m becoming the kind of person and builder with the direction of the future we actually need.</p> <p>We are all on this journey to figure out our compasses. For me, I think it is a mix of the right people, ideas, faith, community, choices, and truth. That’s my compass. I wish I could explain more, but my clock here has dried up.</p>
]]></content>
  </entry>
  <entry>
    <id>https://jeffelin.com/2025-cult-of-more.html</id>
    <title>In The Cult Of More</title>
    <link href="https://jeffelin.com/2025-cult-of-more.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>The first time I remember feeling really angry, I was probably seven.</summary>
    <content type="html"><![CDATA[
<p>The first time I remember feeling really angry, I was probably seven.</p> <p>After obediently listening, bargaining, and not screaming at the dentist under my mom’s wishes, I could finally download Minecraft on a cracked iPad with a laggy Wi-Fi signal. As I watched what others had done on YouTube, I started my journey with a little wooden hut. I was very proud of it.</p> <p>So, I began adding different kinds of wood: birch, oak, jungle, and whatever I could find. I placed torches inside and carved out little windows. I crafted a sign over the door that said “Home.” It was simple, but it was mine.</p> <p>Then I watched another YouTube video. I saw a castle with secret rooms, lava moats, pistons, hidden staircases, and working redstone elevators. Compared to that, my little hut looked like a cardboard box. It made mine feel small. Like it didn’t matter anymore.</p> <p>The next thing you know I am in the bathroom staying up late collecting diamonds, studying redstone mechanics, downloading texture packs I didn’t understand. But no matter how big my world got, someone else’s world was bigger. More blocks. More style. More something. It always felt like something was missing in my home. That desire haunted me. I began questioning myself, Why was I even building in the first place?</p> <p>In elementary school, it was Pokemon cards. I only had a couple decent ones. Other kids had binders full of holographics. I’d trade my lunchables, or lie about the rarity of mine, just to feel less behind. I kept chasing more because I thought if I just caught enough, I’d finally be satisfied.</p> <p>But the problem wasn’t that I didn’t have enough. The problem was that hunger had no end. The hunger to want more. More hustle. More likes. More apps. More money. More friends. More followers. More awards. More responsibilities. More hacks. More mindfulness. More fame. More manifesting. More pressure. More love. I could go on with more. Just more of more.</p> <p>Eventually, I realized this wasn’t just a personal problem: it was cultural and spiritual. The Scriptures is full of warnings about this kind of hunger, the kind that keeps growing even as we feed it. Adam and Eve had everything. They lived in a paradise designed to be more than enough. But that single seed of doubt, that craving for more knowledge, more power, more control led to their fall. Not because the apple was evil. But because of the desire behind it. They wanted to be like God. The unlimited in a limited world.</p> <p>And just like the Garden of Eden, we still find ourselves hiding afterward. Behind our busyness. Behind our achievements. Behind the curated versions of ourselves we show the world. All because of our unconscious addiction to more. As consumers, we are taught to worship it. If you don’t have more, you’re not enough. If you slow down, you’re lazy. If you rest, you’re falling behind. Even healing becomes a race.</p> <p>I see our hunger seeds scattered everywhere. Even after reaching my most ambitious goals, I should feel satisfied, but I just feel this void inside. Like I needed to prove myself again. And again. I’m still searching for something more in a modern-day world of gluttony, not of food, but of validation. We keep consuming because we think that the next title, next purchase, next post will fill the hole. But it never does.</p> <p>At some point, I had to stop and ask myself: What am I chasing? Who told me I needed to be this efficient? This optimized? And more importantly: Who am I if I stop? I had to unlearn the belief that I am only as good as my last output. The reality is that is not what God designed us for. On the seventh day, He looked at all He had made and called it good. Not perfect. Not infinite. Not optimized. Just good. And He stopped. Not because He was tired, but because the pause was part of the design.</p> <p>Even if we ever reach the step after more; when AI can automate our schedules, writes our thoughts, and anticipates our needs before we speak them; when 3D printers create homes overnight, and automation promises to free us from labor; when humans spread across planets, mining asteroids, terraforming Mars, and mapping stars; when we become conquerors of the galaxy, inventors of endless abundance, masters of the universe with every resource at our fingertips; when will it be enough?</p> <p>Because if we haven’t healed the hunger in us, the need to prove, the need to be seen, the need to be more, we will only carry that void into the stars. We’ll build empires on other planets with the same emptiness we had in our bedrooms, our classrooms, our hearts. We’ll make faster rockets, smarter machines, more beautiful illusions but still wonder: Why am I still not full?</p> <p>We keep imagining that the next advancement will finally fix the ache. But maybe it’s not an achievement problem. Maybe it’s a soul problem. A spiritual sickness disguised as ambition. Because God didn’t create us to be infinite and perfect. He created us to be whole and human. The greatest act of rebellion in our modern world racing toward more is to stop. To look at your life, in its humble, unfinished, imperfect form and say, “This is enough.”</p> <p>Maybe that’s the truest kind of efficiency. Not because it’s everything we ever wanted. But because it’s enough. Because it’s the truth.</p>
]]></content>
  </entry>
  <entry>
    <id>https://jeffelin.com/2025-value-of-boredom.html</id>
    <title>The Value of Boredom</title>
    <link href="https://jeffelin.com/2025-value-of-boredom.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>I used to be the unusual kid in class who would count how many ceiling
tiles were above me. One, two, three, and I’d lose track when the
teacher called on someone else. Then, I’d move on to counting the holes
in the ceiling tile itself, those tiny, crater-like divots that reminded
me of the moon. I’d trace constellations in them, quietly daring myself
to find patterns no one else could see. My pencil would hover,
pretending to take notes, but in reality, I was somewhere far away. Not
dreaming, exactly, just suspended. I was still on pause in the movie
that kept rolling for everyone else.</summary>
    <content type="html"><![CDATA[
<p>I used to be the unusual kid in class who would count how many ceiling tiles were above me. One, two, three, and I’d lose track when the teacher called on someone else. Then, I’d move on to counting the holes in the ceiling tile itself, those tiny, crater-like divots that reminded me of the moon. I’d trace constellations in them, quietly daring myself to find patterns no one else could see. My pencil would hover, pretending to take notes, but in reality, I was somewhere far away. Not dreaming, exactly, just suspended. I was still on pause in the movie that kept rolling for everyone else.</p> <p>Sometimes I’d stare at the back of someone’s head and try to guess what they were thinking. Probably what they’d get for lunch or a place to go out to. Other times I’d invent imaginary fables in my notebook margins: stick figure wars, cities made of erasers, fake video game levels, and comedic story plots. I wasn’t trying to be distracted. I was just bored. After a while, my eyes would drift to the clock, half hoping it was broken, because how could only five minutes have passed?</p> <p>School didn’t always feel like learning. I mean we were just being told everything. Instead, it felt like waiting. Waiting for the bell. Waiting for the weekend. Waiting to be somewhere else. It wasn’t boredom that bothered me: it was how familiar it became. Like background static in the soundtrack of my life. I began to crave it. That dull, empty space where I didn’t have to be anything, understand anything, or respond. It became my secret refuge.</p> <p>Eventually, I started bringing a small notebook. Not for notes, but for thoughts. Observations. Half-formed poems. Lists of questions that had nothing to do with biology or U.S. history. I once filled an entire page trying to describe what silence looked like. Another page was just a collection of words and scribbles I liked the sound of. In that quote on quote boredom, something weird would happen. I began paying attention to something. Something slow. Something quiet. Something the unconscious was telling me. My brain would start wandering, not aimlessly, but creatively. I’d imagine impossible machines. Or think about how I’d redesign the classroom if I were in charge. Boredom made space for things that didn’t have to be useful. They were just mine. I was finally the hacker in my own life.</p> <p>But somewhere along the way, boredom stopped feeling spacious and started feeling wrong. I got a phone. And then suddenly, I rarely had to wait again. My schedule would be I wake up and check my phone. I eat with my phone next to me. I walk with it in my hand, not even texting anyone, just holding it. I anticipate what’s the next notification or person who would call me like I’m afraid of being alone with my thoughts. I couldn’t sit through anything, listening to my phone’s music to even write this. Boredom now feels like failure and something to fix. It always felt like I needed something to be there so I wasn’t lost again.</p> <p>The weird thing is, even with all this stuff to look at, I still feel restless. Still feel like I’m behind. I should be funnier, smarter, and more productive. Everyone else is moving faster than I am, leveling up while I’m stuck. The boredom didn’t go away, it just got louder and harder to hear under the noise. Under the daily ruse of productivity, group gatherings, relationship hunts, and career importance. Under the ungrounded version of me.</p> <p>We traded our stillness for busyness. Gave up our boredom to be a bad habit. Packing our lives without realizing that meaning starts with boredom. And when someone didn’t, when someone just existed quietly, eyes looking out the window instead of down at a screen, they looked almost out of place. Suspicious. Like they weren’t living life right. They were supposed to be chasing the ladder of life. I missed the stuff that didn’t ask for my attention.</p> <p>These days, I still catch myself reaching for my phone as it is now a reflex. Sometimes I still unconsciously check it before my brain even boots up. But I’ve started practicing something small. Sometimes, I don’t. Sometimes, I sit. I count the tiles again. Trace the shadows. Let my thoughts stretch out, uncompressed. I don’t rush them to be useful. I don’t turn them into content. I just let them be.</p> <p>Weirdly, that’s when I feel most myself. Not when I’m busy. But when I’m bored, deeply, deliciously bored. Because in those moments, I’m not performing. I’m just living. I have the strangest feelings, the most creative, curious, and happy thoughts. The ideas that could fundamentally change our worlds and try to answer life’s deepest questions. I’d wonder if we can fold time, create consciousness, cure all diseases, speak to animals, upload dreams, rewrite memories, design emotions, reverse aging, and build machines that feel. I’d imagine what it’d be to rewrite the code of life itself, to bend reality. I’d think, what even are languages? What are emotions? What are beliefs? Who are we? Then, what is culture? What is love? What is a soul? What is life? What is reality? Who am I?</p> <p>And in these long minutes that felt like hours back under the classroom lights, counting tiles and tracing imaginary stars, I learned how to truly see. This time, however, I am choosing to embrace it.</p>
]]></content>
  </entry>
  <entry>
    <id>https://jeffelin.com/2025-when-lights.html</id>
    <title>When the Lights Didn't Turn Green</title>
    <link href="https://jeffelin.com/2025-when-lights.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>It was somewhere near 32nd Street and Herald Square, close to midnight.
A cold New York evening in December. I’d just left earlier with the
ambition to explore more of the city as my friend recommended places
like Koreatown, MoMA, and Soho to me. I had no idea what I was doing in
the city I used to call home for the last eleven years.</summary>
    <content type="html"><![CDATA[
<p>It was somewhere near 32nd Street and Herald Square, close to midnight. A cold New York evening in December. I’d just left earlier with the ambition to explore more of the city as my friend recommended places like Koreatown, MoMA, and Soho to me. I had no idea what I was doing in the city I used to call home for the last eleven years.</p> <p>Now, outside, the city beated its drums with the usual indifference. Taxi horns. A busker strumming a broken guitar. A group of NYU kids drunkenly debating Marx. I stared at the crosswalk signal as if it owed me something, ready to walk into the 7th every “other” store I randomly picked.</p> <p>The pedestrian light blinks red. And then again. No green. I pressed the button twice, impatiently, but the signal refused to change. A crowd began to gather behind me, each person stepping closer with their prized shopping bags, pulling out their phones, hurrying forward without a glance back. The city was in motion, but I was frozen, caught in a moment I hadn’t planned for.</p> <p>Staring into the red light felt like a metaphor for everything I’d been wrestling with up to that point. The plans with friends that never quite landed, the pitches that fell flat, the projects I rushed into because I felt I had to move faster than I could think. The relentless hustle of “go, go, go” had always been my rhythm, but right here, in the middle of this sprawling metropolis dubbed the center of the world, it all paused for me.</p> <p>I thought about the year prior, the late nights debugging code and tutorials that never amounted to anything, the endless juggling of bureaucratic organizations, the countless meetings where I didn’t even know what I was doing there. I thought about that time when I was so exhausted that I forgot to even eat. I was always on the move for everything I did, the somebody who would be the next thing. The initiator.</p> <p>As I stood there, I realized something else too. Everyone around me seemed caught in their own worlds, pretending to move forward even when they weren’t really going anywhere. The rush wasn’t always real progress: it was often just motion for motion’s sake. I saw a businessman with a sharpened blue suit pacing anxiously on his phone, a young woman seemingly aloof from the incoming traffic scrolling endlessly, and an elderly man gazing off into the distance while pushing his home cart, lost in thought. We were all actors in this play of constant forward momentum, afraid to stop, afraid to admit that sometimes we need a moment to just breathe.</p> <p>I remembered a conversation with a IB mentor about what he called the “valley of death”, that space where growth feels slow, messy, and uncertain, where you feel stuck between what’s behind you and what’s ahead. It’s the part no one talks about because it’s uncomfortable. But it’s exactly where reflection happens, finally taking you from A to B because you realized you had to get through C. That idea hit me harder than ever on that heartless New York street. What was I examining if I never stopped to really look? If I just kept walking without pausing, was I even alive, or just moving? Where was I even going, and where did I have to go?</p> <p>The light stayed red. Some people walked ahead. Some couples stayed. And I stepped back from the curb and took a deep breath. For once, I didn’t check my calendar. Didn’t check emails. Didn’t think about my next move. I just let the city hum around me, the pulse of life moving forward, vendors chasing dreams, small stories playing out in doorways and neon signs. The world didn’t stop because I did. It never really does.</p> <p>But sometimes, you have to let the lights stay red. To wait. To observe. To let yourself be unshackled from the pressure of moving just for the sake of moving. When the lights don’t turn green, it isn’t a failure. It’s a chance. A chance to reflect on what you’re rushing toward and why.</p> <p>I looked up again, and the light finally changed. I didn’t move right away. I walked forward slowly, feeling just a little more grounded, a little more myself. Because I know now that not every moment demands speed. Not every red light is a permanent stop sign. Sometimes, it’s just a quiet pause before the next real step.</p> <p>And that night in the city that never sleeps, I found a kind of stillness that felt like coming home.</p>
]]></content>
  </entry>
  <entry>
    <id>https://jeffelin.com/2025-fork-in-road.html</id>
    <title>A Fork in the Road</title>
    <link href="https://jeffelin.com/2025-fork-in-road.html"/>
    <published>2026-05-31T05:36:20+00:00</published>
    <updated>2026-05-31T05:36:20+00:00</updated>
    <summary>There’s an obstacle in the road that no map could properly prepare you
for.</summary>
    <content type="html"><![CDATA[
<p>There’s an obstacle in the road that no map could properly prepare you for.</p> <p>It doesn’t come with a highway sign, notification alert, or the millions of self-help gurus available. You don’t recognize it in the moment, only in hindsight, after your thoughts settle. It’s the kind of fork you stumble into half-awake, in a café at 11pm finishing a project you’re not sure anyone will care about, in a split-second decision not to board the train taking you home, and in the quiet space between two questions: “Should I keep going?” and “Am I still me if I stop?”</p> <p>For me, one of those forks came during a summer evening before I even entered my senior year of high school. In the glow of a candlescience lamp and hum of a cooler dorm room, I felt like a kid peeking through the glass of a rocket lab exploding with ideas, adrenaline in my chest and imposter syndrome in my throat. With me were some of the smartest people I’d ever met: student researchers, hackers, founders, and friends who would never let their ideas stay just imagination. We talked about cognition, robots, quantum mechanics, cancer research, and artificial intelligence like it was an ordinary Sunday morning conversation. I knew right then that the world I’d dreamed of building was real. The fork wasn’t waiting for me to make a choice. It was whether I would let myself believe I belonged in it.</p> <p>But forks don’t wait for clarity. They demanded movement.</p> <p>Growing up, I was the child who collected libraries in my head. Textbook libraries. Word banks. Philosophies. Questions about the fate of the universe. I’d squirrel away concepts the way some people hoard coins or baseball cards. It was quite limitless. One fall, I tried to memorize the periodic table just because I thought there might be a pattern hidden in the chaos. Another spring, I built a statistical algorithm to better understand penguins. And an extra summer, I may have accidentally reached the top 5 in North America for PUBG mobile.</p> <p>Why? Because every fork back then felt like a test of identity. Was I the science kid or the storytelling kid? Was I the athlete or the strategist? Should I go left, the direction of security, a good name, easy-to-explain success, or right, chaos, curiosity, a strange little idea nobody understood?</p> <p>In a way, I always knew which road I’d take. The one with more friction. The one I’d have to carve. The one where I choose a challenge not for the sake of success but for the sake of challenge. A fork doesn’t always mean choosing between good and bad; sometimes it’s choosing between two versions of yourself. The polished one. Or the one still figuring his path in the universe out. Every fork is an echo of a bigger question: Who are you becoming, and who are you leaving behind? Sometimes the person I leave behind is scared. Scared of being misunderstood. Scared that the bet won’t pay off. Scared that I will be alone walking this path. But, the one thing I do know for certain is that I do not regret any of it. Because every version of me, the dreamer, the skeptic, the builder, the burned-out kid journaling at 2AM, already chose this path for me.</p> <p>Today, I stand at another fork.</p> <p>On one side: predictable greatness. The hype, the name badges, the well-lit corridors of elite systems. On the other: the work that lights me up, risky, fast, fragile, and alive. Building agents that think, communities that trust, systems that uplift. Ideas that might collapse or redefine entire industries. All under the weight of constantly and absolutely not knowing anything you are doing. But most importantly, I was really me.</p> <p>I chose right, and I don’t know where this road ends. I know I will fail a couple hundred times before anything works. But I fell in love with the journey, not the destination. The reality is that paths don’t actually define you, you define where you actually want to go. They are just paths for a reason. You make the choice. So when you reach your next fork and you will, don’t just ask, “Which one dares me to grow?” Instead, ask, “Which one dares me to be actually me?”</p> <p>To you reading my volumes, I will begin unraveling the way I see the world with a challenge, a challenge for you to always seek the deeper truth and not be afraid to struggle searching for the core you. No matter what the truth might be, even if it’s against your deepest desires. That’s the choice you’ll have to make on your next fork, but I hope some wisdom with these essays might help you in making that next difficult choice as I had to myself.</p>
]]></content>
  </entry>
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